We’re very proud to present Kammerklang’s tenth album release: The Art of Disappearing by Cameron Lam.
“The moon that broke on the fencepost, will not hold.
Desire will not hold. Memory will not hold …
It is an art, this evermore escaping grasp of things”
-The Art of Disappearing, from Aria by Sarah Holland-Batt
The fifth portrait album from Sydney composer, Cameron Lam, weaves together the timbre and expressive depth of mezzo soprano Jenny Duck-Chong (Halcyon) and the vibrant connection of the Geist String Quartet to paint a delicate response to the rhythmic and intensely musical poetry of Sarah Holland-Batt’s award-winning first book, Aria.
The Art of Disappearing is a song cycle meditating on the nature of grief. The eight songs, for mezzo soprano and string quartet, together tell stories of reminiscence, loss and grief. The cycle doesn’t present loss as something to solve; instead, it paints the inexorable journey from stasis, as we learn to move again.
Lam explains, “Music is movement to me. In fact, my main trick for composer’s block is to go walking in the same tempo as the sketch I’m working on. That was the striking thing about Sarah’s poetry for me, it was arresting, it stopped me in my tracks – it sang all by itself and I just wanted to add to that.”
Lam interweaves another four pieces into these songs, a series of string quartet interludes contemplating the nature of time. In these movements we hear more cerebral explorations: two pieces played simultaneously (with players jumping between time streams), pulses slowly breaking down, and a melody echoing a duet with itself. These dual themes (grief and time) enhance and reflect each other throughout the album with motives echoing back and forth between tracks.
The Art of Disappearing was recorded by Jayson McBride at Studios 301 in Sydney in November 2018, thanks to the support of Fine Music 102.5FM’s 2018 Stephen Kruger Scholarship.
- Available for pre-order now on Bandcamp (full album releases May 28)
- Pre-order a physical CD via Pozible (help us hit our target to cover the print run)
- Book tickets to the premiere via Halcyon (1 June in Annadale Sydney)
Throughout May we’ll be previewing the album through various partners and showcasing the different songs and poems. You can find an archive of these previews below:
We’ve also commissioned Germany-based Australian choreographer and film-maker Louisa Poletti to create a four-episode video series called “Time Echoes Your Sound” based on Cameron’s string quartet.
We’ll be releasing via social media in the lead up to the album launch, watch the first one below:
1. The Art of Disappearing 1
– Preview: Bandcamp
– Preview: Pozible
3. String Quartet No.2, Mvt I: Synchronised Time
– Preview video released May 1
4. Meditation on the Plums 1
– Preview: New Australia Radio on Eastside FM (May 7 Show starting at 19:40)
5. String Quartet No.2, Mvt II: Scattered Like A Broken Crusader
– Preview video released May 8
– Coming Soon
7. Athenian Jar
– Coming Soon
8. String Quartet No.2 Mvt III: Silence Resonating Into Sound
– Preview video releases May 15
9. Enduring Ritual
– Coming Soon
10. Meditation on the Plums 2
– Coming Soon
11. String Quartet No.2 Mvt IV: Which Was Always There
– Preview video releases May 22
12. The Art of Disappearing 2
– Coming Soon
Audio Engineer & Producer: Jayson McBride
Cover Artist: Luke Moseley
Choreographer & Film-maker: Louisa Poletti
Cameron Lam – Composer
Cameron Lam is a freelance composer, the Artistic Director of Sydney-based hybrid-art production company, Kammerklang, and the Art Music Specialist at the Australasian Performing Rights Association (APRA AMCOS). After completing his Bachelor of Music Composition (Honours) at the Sydney Conservatorium, Cameron’s career has focused on collaboration, interdisciplinary practice, and entrepreneurship.
He is proud to be an Australian Music Centre represented composer, Fine Music 102.5FM’s 2018 Stephen Kruger Scholar, and featured in US publisher NewMusicShelf’s recent ‘Anthology of New Music for Mezzo Soprano’.
Sarah Holland-Batt – Poet
Sarah Holland-Batt is an award-winning poet, editor, critic and academic. Born in Southport, Australia in 1982, she grew up in Australia and the United States, and has lived in in Italy and Japan. Her first book, Aria, was the recipient of several literary prizes, including the Anne Elder Award, the Arts ACT Judith Wright Poetry Prize and the Thomas Shapcott Prize, was shortlisted in both the New South Wales and Queensland Premiers’ Literary Awards, and was commended for The Age’s Poetry Book of the Year.
She has worked as an editorial consultant for publishing houses New Directions and Atria Books in New York City, and presently lives in Brisbane, where she is an Associate Professor at QUT, and the poetry editor of Island magazine. She is the editor of Black Inc.’s The Best Australian Poems 2016 and The Best Australian Poems 2017.
Jenny Duck-Chong – Mezzo soprano
With a career spanning more than 25 years, Mezzo soprano Jenny Duck-Chong has established herself as a versatile and intelligent musician with extensive experience in a broad range of classical repertoire. As a soloist, she has been acclaimed for her intense and dramatic portrayals of tragic heroines, such as Purcell’s Dido, Monteverdi’s Arianna and Britten’s Phaedra, her stylistic renderings of Baroque masterworks as well as her formidable and engaging performances of contemporary works such as Ligeti’s Sippàl, Dobbàl, Nahigeduvel, Macmillan’s Raising Sparks, Benjamin’s Upon Silence and Berio’s Folksongs.
In recent years, Jenny has focused her attention on more intimate chamber repertoire, in particular in the field of new music. With soprano Alison Morgan, she established Halcyon in 1998, an ensemble renowned for innovative programming and exemplary contemporary vocal chamber music performance. With Halcyon, she has premiered numerous Australian and international works by both acclaimed and emerging composers and commissioned many new works, including 21 new Australian commissions under the title Kingfisher: Songs for Halcyon to celebrate their 15th birthday.
Geist String Quartet
Violins – Sonia Wilson & Mia Stanton (guest artist)
Viola – Hayasa Tanaka
Violoncello – James Larsen
Formed in 2015, the Geist String Quartet has quickly established itself as one of Sydney’s preeminent young ensembles. Following festival performances at Frenswegen (Germany), Orford (Canada), Turin and Verona (Italy), and Bangalow (Australia), the Geist Quartet has received praise for their interpretations of Mozart, Beethoven, and 20th century works.
As recipients of the Westheimer String Quartet Fellowship, Ernest V. Llewellyn Memorial Fund Award, and Mary Vallentine Prize, the quartet has been able to travel to ensemble development programmes across Germany, the U.S.A, Canada, and Australia. Through these programmes, the Geist Quartet has worked with artists and mentors including Eberhard Feltz, Sara Bitlloch, Monica Curro, Oliver Wille, William Coleman, and the Kuss, St Lawrence, London Haydn, and Elias quartets.
The quartet has presented concerts in Sydney, Melbourne, and across regional New South Wales. A tour throughout central western NSW with David Miller OAM allowed the quartet to perform in a number of towns and cities as well as work with children in regional schools.
Jayson McBride – Audio Engineer & Producer
Jayson is a Sydney based freelance audio engineer/producer and musician who specialises in classical, jazz and other acoustic music, and is passionately committed to the creation of recordings that are sonically beautiful, technically excellent and aesthetically appropriate. His output encompasses live concerts recordings, studio recordings, CD releases, live radio broadcasts and the creation of online content. He has engineered and produced numerous recordings of Australian and international artists and recorded in all the major acoustic music venues in Sydney.
His professional experience is reinforced by his qualifications in sound recording and music performance, as well as 25 years experience as a classical musician and music educator. He holds a Master of Music Studies (Creative Sound Production) from the Sydney Conservatorium of Music, a Post Graduate Diploma in Performance from the Royal College of Music London, a Bachelor of Music (Performance) from the Western Australian Conservatorium of Music, and a Graduate Diploma of Education from Edith Cowan University.
Luke Moseley – Cover Artist/Graphic Designer
Luke Moseley has been Kammerklang’s in-house graphic designer and creative director since 2010 and is responsible for its current logo and branding as well as artworks for Owen Salome’s Resonance, Peter McNamara’s The Styx, Cameron Lam’s Cybermemories, and latest album, The Art of Disappearing.
He has love for storytelling in prose and film which is a strong influence in his work. His dual passions of conceptual art and branding both allow him to tell you something visually about a person, an idea or character. For Moseley, design is about telling stories and engaging in a dialogue.
Kammerklang – Record Label
Kammerklang (“Chamber sound”) is an Australian arts company specialising in the collaboration of music and other artforms, literally focusing on the fusion of sound and the “chamber” or space it’s performed in. Whether that space includes dancers, paintings, video projection, sculpture or circus performers depends on the project and nature of the works featured. The aim of Kammerklang is to present and promote new artistic creation that is inquisitive, detailed and accessible while still fostering exploration and communication between the arts.